HOLA AMIGOS


Bienvenidos a mi blog. Este será un sitio dedicado a la raza que me apasiona, el cocker spaniel ingles, y en general a todos los perros, con raza o sin ella. Aquí iré colgando temas relacionados con ellos, con los cocker y todo aquello que me parezca interesante, sobre veterinaria, etología etc...

Encontrarás que algunos artículos sobre el cocker son un poco técnicos, pero la mayoría son para todos los públicos. ¡No te desanimes !


Agradecimiento:

Me gustaría agradecer a todas las personas que nos han ayudado, explicado y aguantado tantas y tantas cosas, y que han hecho que nuestra afición persista.

En especial a Pablo Termes, que nos abrió su casa de par en par y nos regaló jugosas tardes en su porche contando innumerables “batallitas de perros”. Suyas fueron nuestras dos primeras perras y suya es buena parte de culpa de nuestra afición. A Antonio Plaza y Alicia, también por su hospitalidad, su cercanía, y su inestimable ayuda cada vez que la hemos necesitado. También por dejarnos usar sus sementales, casi nada. Y a todos los criadores y propietarios que en algún momento, o en muchos, han respondido a nuestras dudas con amabilidad.

Y, por supuesto, a Rambo, Cibeles y Maripepa, a Chulapa y Chulapita, y a Trufa, como no, y a todos los perros con pedigrí o sin el, con raza o sin ella por ser tan geniales.

Muchas gracias


Te estaré muy agradecido si después me dejas tus impresiones en forma de comentario.

Espero que te guste y que vuelvas pronto.




jueves, 31 de marzo de 2016

ARTHUR JOHN ELSLEY, LA ALEGRIA DE SER NIÑO ( Y TENER PERRO) (SPANISH & ENGLISH)


Hoy traigo al blog a otro pintor de perros y niños, muy parecido a Charles Burton, al que ya traje en otra ocasión. Sus niños jugando, siempre acompañados por entusiasmados perros, me han cautivado. Aquí os dejo una parte de su obra y de su biografia.

De origen humilde, su padre era cochero, comenzó a estudiar pintura a los catorce años en la Escuela de Arte de South Kesington. No tardó en destacar y a los dieciocho años presentó su primera exposición en la academia. Fue muy respetado y considerado por sus contemporáneos, sobre todo por el también pintor Frederick Morgan, con quien llegó a compartir estudio. Sus pinturas coloristas de tema rurales sirvieron para ser representadas en calendarios y tarjetas. Durante la primera guerra mundial trabajó en una fábrica de munición, donde se agravó su miopía lo que le impidió seguir pintando. Se casó con su prima segunda Emily Funsedale con quien en 1903 tuvo una hija. Murió a los 91 años en su casa victoriana de Madeira Park donde vivía dedicada a la carpintería y al jardín desde que se vio obligado a dejar la pintura.


































Elsley was born in London, one of six children of John Elsley, coachman and amateur artist, and Emily Freer. Elsley's father had exhibited at the British Institution Exhibition in 1845 but later in life contracted tuberculosis which forced him into early retirement.[2]

When only eleven years old, Arthur was turning out proficient animal studies made during frequent visits to the London Zoo in Regent's Park. At age fourteen, he enrolled in the South Kensington School of Art (later the Royal College of Art). At about this time his eyesight became permanently damaged by a bout of measles.

Elsley took up the post of probationer at the Royal Academy Schools in 1876. here he was influenced by Frederick Pickersgill (Keeper of the Royal Academy), Edward Armitage (Professor of Painting), John Marshal (Professor of Anatomy), and Henry Bowler (Professor of Perspective).

A large number of his paintings were inspired by sketches made on frequent cycling trips around the countryside. In 1878 he exhibited his first picture, entitled "A Portrait of an Old Pony" at the Royal Academy. He remained with the Academy Schools until 1882 and then began accepting commissions to do portraits of children and dogs, with an emphasis on horses. Many of his portrait commissions came from the Benett-Stanford family of politicians living at Preston Manor in Brighton—some works are still exhibited there. His first known published work was a line engraving entitled "April Floods In Eastern Counties" printed in "Young England" magazine in 1885.

Elsley was friendly with the English painters Solomon Joseph Solomon and George Grenville Manton, sharing a studio with the latter in 1876. Through Manton Elsley met Frederick Morgan, a popular painter of children. In 1889 Elsley moved into Morgan’s studio, an arrangement that led to a good working relationship - Morgan having difficulties with painting animals, an area in which Elsley excelled.
Elsley was awarded a silver medal in the Crystal Palace exhibition of 1891 for his painting "The Bailiff’s Daughter of Islington". In 1892 his painting "I’se Biggest" was published, and later had to be re-engraved to satisfy public demand. The painting was of a young girl comparing her height with that of a large St. Bernard dog. The Illustrated London News printed one of Elsley’s paintings, Grandfather’s Pet as their Christmas choice for 1893.
On 11 November 1893 Elsley married Emily "Emm" Fusedale, his second cousin who had modeled for him for ten years. They had one child, Marjorie, born in 1903, and who posed for many of his subsequent paintings. After his marriage Elsley set up his own studio, but continued his painting relationship with Frederick Morgan. After the death of Charles Burton Barber (1845–1894), Elsley became his natural successor as the foremost painter of children and their pets.
Relations between Elsley and Frederick Morgan were permanently soured when Morgan accused Elsley of using his ideas. After this Elsley became bolder in his compositions, often depicting scenes with multiple figures, all from individual sitters visiting his studio. Hardly ever leaving his studio, the outdoors components of his paintings were from sketches he had made earlier and magazine images. It was thought that these indoor painting methods aggravated his already faulty vision.
The First World War severely reduced Elsley's output of paintings - he produced only 4 paintings from 1915 to 1917, one of which, a portrait of his daughter Marjorie, was exhibited at the Royal Academy. He contributed to the war effort by working on bomb-sights in a munitions factory, straining his already poor eyesight. By the early 1930s he was able only to carry out woodworking and gardening.

Arthur John Elsley died at home in Tunbridge Wells on 19 February 1952.


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